Collectorium on Newcastle

Japanese Meiji period (1868-1912) Baluster form jar.  
Wide open mouth with slight outward tapering; straight neck below a rolled over rim. Recessed foot ring; the base with the glaze neatly kept in a straight line off the foot. Polychrome and gilt in Satsuma pallet; probably from Kyoto;  typical, age conforming light “crackle”. Bands of polychrome brocade and traditional ornamentation enclosing in the round a scene from the second Noh play Shura Mono (fighting play) of Samurai with various weaponry.  
While this jar is not signed it is of high quality execution indicating a very competent artisan and it is from the collection of an eclectic connoisseur who only had good things!
Minor rubbing & an old repair to a firing mark to the base. circa 25 cm tall x 17 cm wide

Japanese Meiji period (1868-1912) Baluster form jar.  
Wide open mouth with slight outward tapering; straight neck below a rolled over rim. Recessed foot ring; the base with the glaze neatly kept in a straight line off the foot. Polychrome and gilt in Satsuma pallet; probably from Kyoto;  typical, age conforming light “crackle”. Bands of polychrome brocade and traditional ornamentation enclosing in the round a scene from the second Noh play Shura Mono (fighting play) of Samurai with various weaponry.  
While this jar is not signed it is of high quality execution indicating a very competent artisan and it is from the collection of an eclectic connoisseur who only had good things!
Minor rubbing & an old repair to a firing mark to the base. circa 25 cm tall x 17 cm wide

Japanese Meiji period (1868-1912) Baluster form jar.  
Wide open mouth with slight outward tapering; straight neck below a rolled over rim. Recessed foot ring; the base with the glaze neatly kept in a straight line off the foot. Polychrome and gilt in Satsuma pallet; probably from Kyoto;  typical, age conforming light “crackle”. Bands of polychrome brocade and traditional ornamentation enclosing in the round a scene from the second Noh play Shura Mono (fighting play) of Samurai with various weaponry.  
While this jar is not signed it is of high quality execution indicating a very competent artisan and it is from the collection of an eclectic connoisseur who only had good things!
Minor rubbing & an old repair to a firing mark to the base. circa 25 cm tall x 17 cm wide

Japanese Meiji period (1868-1912) Baluster form jar.  
Wide open mouth with slight outward tapering; straight neck below a rolled over rim. Recessed foot ring; the base with the glaze neatly kept in a straight line off the foot. Polychrome and gilt in Satsuma pallet; probably from Kyoto;  typical, age conforming light “crackle”. Bands of polychrome brocade and traditional ornamentation enclosing in the round a scene from the second Noh play Shura Mono (fighting play) of Samurai with various weaponry.  
While this jar is not signed it is of high quality execution indicating a very competent artisan and it is from the collection of an eclectic connoisseur who only had good things!
Minor rubbing & an old repair to a firing mark to the base. circa 25 cm tall x 17 cm wide

Imari Charger made in the late C19th in the Imari / Arita area of Kyushu Island in the south west of the island nation of Japan for export through China and Asia then onto Europe. The top with its moulded raised relief is decorated in over glaze enamels in predominantly the characteristic red, gold and blue with floral medallions over swirled ribbons of brocades. The base is decorated with blue and white underglaze patterns derived from Chinese motifs including Plantain Leaves and Clouds. The six characters on the base are in Chinese script to suggest the Ming dynasty period. This marketing ploy was used in the late C17th & early C18th then revived in the late C19th. 40 cm diameter

Imari Charger made in the late C19th in the Imari / Arita area of Kyushu Island in the south west of the island nation of Japan for export through China and Asia then onto Europe. The top with its moulded raised relief is decorated in over glaze enamels in predominantly the characteristic red, gold and blue with floral medallions over swirled ribbons of brocades. The base is decorated with blue and white underglaze patterns derived from Chinese motifs including Plantain Leaves and Clouds. The six characters on the base are in Chinese script to suggest the Ming dynasty period. This marketing ploy was used in the late C17th & early C18th then revived in the late C19th. 40 cm diameter

A vintage, mid C20th set of Japanese Hinamatsuri, Doll’s Day or Girls’ Day Ornamental Dolls. Hinamatsuri is a special day in Japan when people pray for the happiness and healthy growth of girls. It is celebrated each year on March 3. Platforms covered with a red carpet are used to display a set of ornamental dolls representing the Emperor, Empress, attendants and musicians in traditional court dress of the Heian period of 794–1185 AD.
Families generally start to display the dolls in February and take them down immediately after the festival. Superstition says that leaving the dolls past March 4 will result in a late marriage for the daughter.
The top platform holds the Imperial dolls, the Emperor and the Empress.The second tier holds three court ladies.The third tier holds five male musicians.The fourth tier holds two ministers and between them are tables bearing diamond-shaped rice cakes.On the fifth tier are a mandarin orange tree and a cherry blossom tree between which are three guards as the protectors of the Emperor and Empress.
The set is in its original glass case and can be stored in its original cardboard box when not on display.The paper label on the box has in large script Shogetsu “Pine Moon”, in the middle in dark script “Ito City”; to the lower left in dark script Izuya (the makers brand name).The glass case is 32 cm high x 29 cm wide x 26 cm deep.

A vintage, mid C20th set of Japanese Hinamatsuri, Doll’s Day or Girls’ Day Ornamental Dolls. Hinamatsuri is a special day in Japan when people pray for the happiness and healthy growth of girls. It is celebrated each year on March 3. Platforms covered with a red carpet are used to display a set of ornamental dolls representing the Emperor, Empress, attendants and musicians in traditional court dress of the Heian period of 794–1185 AD.
Families generally start to display the dolls in February and take them down immediately after the festival. Superstition says that leaving the dolls past March 4 will result in a late marriage for the daughter.
The top platform holds the Imperial dolls, the Emperor and the Empress.The second tier holds three court ladies.The third tier holds five male musicians.The fourth tier holds two ministers and between them are tables bearing diamond-shaped rice cakes.On the fifth tier are a mandarin orange tree and a cherry blossom tree between which are three guards as the protectors of the Emperor and Empress.
The set is in its original glass case and can be stored in its original cardboard box when not on display.The paper label on the box has in large script Shogetsu “Pine Moon”, in the middle in dark script “Ito City”; to the lower left in dark script Izuya (the makers brand name).The glass case is 32 cm high x 29 cm wide x 26 cm deep.

A vintage, mid C20th set of Japanese Hinamatsuri, Doll’s Day or Girls’ Day Ornamental Dolls. Hinamatsuri is a special day in Japan when people pray for the happiness and healthy growth of girls. It is celebrated each year on March 3. Platforms covered with a red carpet are used to display a set of ornamental dolls representing the Emperor, Empress, attendants and musicians in traditional court dress of the Heian period of 794–1185 AD.
Families generally start to display the dolls in February and take them down immediately after the festival. Superstition says that leaving the dolls past March 4 will result in a late marriage for the daughter.
The top platform holds the Imperial dolls, the Emperor and the Empress.The second tier holds three court ladies.The third tier holds five male musicians.The fourth tier holds two ministers and between them are tables bearing diamond-shaped rice cakes.On the fifth tier are a mandarin orange tree and a cherry blossom tree between which are three guards as the protectors of the Emperor and Empress.
The set is in its original glass case and can be stored in its original cardboard box when not on display.The paper label on the box has in large script Shogetsu “Pine Moon”, in the middle in dark script “Ito City”; to the lower left in dark script Izuya (the makers brand name).The glass case is 32 cm high x 29 cm wide x 26 cm deep.

A vintage, mid C20th set of Japanese Hinamatsuri, Doll’s Day or Girls’ Day Ornamental Dolls. Hinamatsuri is a special day in Japan when people pray for the happiness and healthy growth of girls. It is celebrated each year on March 3. Platforms covered with a red carpet are used to display a set of ornamental dolls representing the Emperor, Empress, attendants and musicians in traditional court dress of the Heian period of 794–1185 AD.
Families generally start to display the dolls in February and take them down immediately after the festival. Superstition says that leaving the dolls past March 4 will result in a late marriage for the daughter.
The top platform holds the Imperial dolls, the Emperor and the Empress.The second tier holds three court ladies.The third tier holds five male musicians.The fourth tier holds two ministers and between them are tables bearing diamond-shaped rice cakes.On the fifth tier are a mandarin orange tree and a cherry blossom tree between which are three guards as the protectors of the Emperor and Empress.
The set is in its original glass case and can be stored in its original cardboard box when not on display.The paper label on the box has in large script Shogetsu “Pine Moon”, in the middle in dark script “Ito City”; to the lower left in dark script Izuya (the makers brand name).The glass case is 32 cm high x 29 cm wide x 26 cm deep.

A vintage, mid C20th set of Japanese Hinamatsuri, Doll’s Day or Girls’ Day Ornamental Dolls. Hinamatsuri is a special day in Japan when people pray for the happiness and healthy growth of girls. It is celebrated each year on March 3. Platforms covered with a red carpet are used to display a set of ornamental dolls representing the Emperor, Empress, attendants and musicians in traditional court dress of the Heian period of 794–1185 AD.
Families generally start to display the dolls in February and take them down immediately after the festival. Superstition says that leaving the dolls past March 4 will result in a late marriage for the daughter.
The top platform holds the Imperial dolls, the Emperor and the Empress.The second tier holds three court ladies.The third tier holds five male musicians.The fourth tier holds two ministers and between them are tables bearing diamond-shaped rice cakes.On the fifth tier are a mandarin orange tree and a cherry blossom tree between which are three guards as the protectors of the Emperor and Empress.
The set is in its original glass case and can be stored in its original cardboard box when not on display.The paper label on the box has in large script Shogetsu “Pine Moon”, in the middle in dark script “Ito City”; to the lower left in dark script Izuya (the makers brand name).The glass case is 32 cm high x 29 cm wide x 26 cm deep.

Oval, lovely soft red tablet of coral carved with lotus flowers in a silver [marked] brooch setting  with a granulated border; Chinese, late c19th / early C20th; late Qing either Guangxu or Xuanlong. The Lotus in Buddhism representing the qualities of purity, harmony, nobility and elegance  among other desirables in life.

Early C20th, Japanese earthenware stick or umbrella stand decorated in the round with blue Clematis; the pair of characters on the base mean “Premium: (Gokujoo); the single character in the circle reads Tatsu which could be a personal name or a brand name; the character itself means the Zodiac sign of Dragon in Japanese; height circa 64 cm, diameter at widest point circa 35cm. 

Early C20th, Japanese earthenware stick or umbrella stand decorated in the round with blue Camellias; the pair of characters on the base mean “Premium: (Gokujoo); the single character in the circle reads Tatsu which could be a personal name or a brand name; the character itself means the Zodiac sign of Dragon in Japanese; height circa 64 cm, diameter at widest point circa 35cm. 

An ancient, traditional craft dating back to the Song dynasty. These examples have been dated as later Qing circa 1890’s; from an old collection of eclectica; supposedly Peach stones, 13,14mm diameter. 

Late 1800s, possibly Korean, Haetae figure box. High grade silver [tested] 110g.7.5cm high. Haetae are “Lion Dogs” – mythological creatures that are master of fire and guardians against this element. Their powers include time travel and the waning of the moon or even an eclipse. Haetae are often in front or inside Korean houses or used as containers as a protection against destructive natural elements.