Miscellaneous Antiques and Collectables
Vintage Luggage
A range of vintage luggage, everyday work bags and a vanity case from Collectorium’s store. From the days when ships were the only option to travel from Australia to UK and Europe are two large, full hide leather cases with their owner and destinations marked by hand.There are remains of some interesting labels including an early Qantas one which is still in very good condition.
Vintage Luggage Label: Qantas
A range of vintage luggage, everyday work bags and a vanity case from Collectorium’s store. From the days when ships were the only option to travel from Australia to UK and Europe are two large, full hide leather cases with their owner and destinations marked by hand.There are remains of some interesting labels including an early Qantas one which is still in very good condition.
Vintage Luggage Label: Aeropak
A range of vintage luggage, everyday work bags and a vanity case from Collectorium’s store. From the days when ships were the only option to travel from Australia to UK and Europe are two large, full hide leather cases with their owner and destinations marked by hand.There are remains of some interesting labels including an early Qantas one which is still in very good condition.
Vintage Luggage Inspection Label
A range of vintage luggage, everyday work bags and a vanity case from Collectorium’s store. From the days when ships were the only option to travel from Australia to UK and Europe are two large, full hide leather cases with their owner and destinations marked by hand.There are remains of some interesting labels including an early Qantas one which is still in very good condition.
Vintage Luggage: Aeropak
A range of vintage luggage, everyday work bags and a vanity case from Collectorium’s store. From the days when ships were the only option to travel from Australia to UK and Europe are two large, full hide leather cases with their owner and destinations marked by hand.There are remains of some interesting labels including an early Qantas one which is still in very good condition.
Vintage Luggage Label
A range of vintage luggage, everyday work bags and a vanity case from Collectorium’s store. From the days when ships were the only option to travel from Australia to UK and Europe are two large, full hide leather cases with their owner and destinations marked by hand.There are remains of some interesting labels including an early Qantas one which is still in very good condition.
Vintage Luggage Label: Grand Hotel
A range of vintage luggage, everyday work bags and a vanity case from Collectorium’s store. From the days when ships were the only option to travel from Australia to UK and Europe are two large, full hide leather cases with their owner and destinations marked by hand.There are remains of some interesting labels including an early Qantas one which is still in very good condition.
Vintage Luggage
A range of vintage luggage, everyday work bags and a vanity case from Collectorium’s store. From the days when ships were the only option to travel from Australia to UK and Europe are two large, full hide leather cases with their owner and destinations marked by hand.There are remains of some interesting labels including an early Qantas one which is still in very good condition.
Vintage Luggage
A range of vintage luggage, everyday work bags and a vanity case from Collectorium’s store. From the days when ships were the only option to travel from Australia to UK and Europe are two large, full hide leather cases with their owner and destinations marked by hand.There are remains of some interesting labels including an early Qantas one which is still in very good condition.
Vintage Luggage: writing
A range of vintage luggage, everyday work bags and a vanity case from Collectorium’s store. From the days when ships were the only option to travel from Australia to UK and Europe are two large, full hide leather cases with their owner and destinations marked by hand.There are remains of some interesting labels including an early Qantas one which is still in very good condition.
The United Kingdom Bartenders’ Guild “Guide to Drinks” 3rd Edition 1960
A limited publication of 17,500 copies in three editions 1953, 1955 and 1960 by the Guild which had formed in 1933.
The guide contains an extensive collection of cocktail recipes and handy hints including a list of prize winning cocktail recipes from 1934 to 1959 interspersed throughout with black and white period advertisements and some clever sketches.
Everything possible to know on the subject and more you never dreamt existed.
Hardback with green cloth cover; slight wear to lower right cover front and back otherwise obviously never used as the reference it was intended to be. 7"(18cm) x 5" (12.5 cm)
A couple of recipes particularly caught our attention.
Under “Pick-Me-Ups”
Prairie Hen
Pour into a small Wine glass
2 dashes of Vinegar
1 teaspoon Worcester sauce
a whole egg
2 dashes of Tabasco sauce
little salt and pepper
Do not break the Egg.
Under “Medicinal”
Strong black coffee with a few drops of aromatic spirits of ammonia will quickly dissipate alcohol fumes.
The United Kingdom Bartenders’ Guild “Guide to Drinks” 3rd Edition 1960
A limited publication of 17,500 copies in three editions 1953, 1955 and 1960 by the Guild which had formed in 1933.
The guide contains an extensive collection of cocktail recipes and handy hints including a list of prize winning cocktail recipes from 1934 to 1959 interspersed throughout with black and white period advertisements and some clever sketches.
Everything possible to know on the subject and more you never dreamt existed.
Hardback with green cloth cover; slight wear to lower right cover front and back otherwise obviously never used as the reference it was intended to be. 7"(18cm) x 5" (12.5 cm)
A couple of recipes particularly caught our attention.
Under “Pick-Me-Ups”
Prairie Hen
Pour into a small Wine glass
2 dashes of Vinegar
1 teaspoon Worcester sauce
a whole egg
2 dashes of Tabasco sauce
little salt and pepper
Do not break the Egg.
Under “Medicinal”
Strong black coffee with a few drops of aromatic spirits of ammonia will quickly dissipate alcohol fumes.
The United Kingdom Bartenders’ Guild “Guide to Drinks” 3rd Edition 1960
A limited publication of 17,500 copies in three editions 1953, 1955 and 1960 by the Guild which had formed in 1933.
The guide contains an extensive collection of cocktail recipes and handy hints including a list of prize winning cocktail recipes from 1934 to 1959 interspersed throughout with black and white period advertisements and some clever sketches.
Everything possible to know on the subject and more you never dreamt existed.
Hardback with green cloth cover; slight wear to lower right cover front and back otherwise obviously never used as the reference it was intended to be. 7"(18cm) x 5" (12.5 cm)
A couple of recipes particularly caught our attention.
Under “Pick-Me-Ups”
Prairie Hen
Pour into a small Wine glass
2 dashes of Vinegar
1 teaspoon Worcester sauce
a whole egg
2 dashes of Tabasco sauce
little salt and pepper
Do not break the Egg.
Under “Medicinal”
Strong black coffee with a few drops of aromatic spirits of ammonia will quickly dissipate alcohol fumes.
The United Kingdom Bartenders’ Guild “Guide to Drinks” 3rd Edition 1960
A limited publication of 17,500 copies in three editions 1953, 1955 and 1960 by the Guild which had formed in 1933.
The guide contains an extensive collection of cocktail recipes and handy hints including a list of prize winning cocktail recipes from 1934 to 1959 interspersed throughout with black and white period advertisements and some clever sketches.
Everything possible to know on the subject and more you never dreamt existed.
Hardback with green cloth cover; slight wear to lower right cover front and back otherwise obviously never used as the reference it was intended to be. 7"(18cm) x 5" (12.5 cm)
A couple of recipes particularly caught our attention.
Under “Pick-Me-Ups”
Prairie Hen
Pour into a small Wine glass
2 dashes of Vinegar
1 teaspoon Worcester sauce
a whole egg
2 dashes of Tabasco sauce
little salt and pepper
Do not break the Egg.
Under “Medicinal”
Strong black coffee with a few drops of aromatic spirits of ammonia will quickly dissipate alcohol fumes.
Russian Birchwood Box
Nineteenth century, Russian, circular Birchwood Box with hand painted winter scene on the lid. Dimensions 8 cm high, 12 cm diameter.
Russian Birchwood Box: lid
Nineteenth century, Russian, circular Birchwood Box with hand painted winter scene on the lid. Dimensions 8 cm high, 12 cm diameter.
Collectorium's tribute to ANZAC DAY 2020
The First Convoy by Charles Bryant
On the 1st November 1914, 10 troop transports from New Zealand and 26 from the Eastern States of the Commonwealth set sail from King George’s Sound in Western Australia bound for the Middle East to their final destination Egypt.
The Final Tribute by Louis McCubbin
The Australian destroyers Yarra, Torrens and Parramatta were given permission to fly their largest Commonwealth Blue Ensigns as a salute to fallen ANZACS while proceeding with an Allied fleet through the Dardanelles on the day after the signing of the Armistice.
The Digger by Charles Wheeler
Quote from a British officer about Australian soldiers “The bravest thing God ever made”.
The Australian through Enemy Eyes by Max Bruning
This etching was made in 1916 during the Battle of the Somme by a German artist serving with the 6th Bavarian Reserve Division.
The Drover by G C Benson
Before joining the AIF, a large proportion of the men of the light horse regiments had lived on stations and farms where driving sheep or cattle is a regular occurrence. The habit of trailing on horseback behind a flock or herd was far too deeply ingrained even under the changed conditions of active service. When detailed to take a party of prisoners to the rear, the light horseman instinctively “drove” them.
Bronze Vase Kayser Germany: mark
Late 1800s, Kayser, Germany, planished and patinated; tapered bronze vase with applied leaf and flower band to neck; rolled over rim; 25 cm tall.
Bronze Vase Kayser Germany
Late 1800s, Kayser, Germany, planished and patinated; tapered bronze vase with applied leaf and flower band to neck; rolled over rim; 25 cm tall.
Copper Jelly Mould
C19th, English, copper jelly mould shaped as crenulated castle; original patina; 9.5 cm tall.
EPNS Candle Holders by Ernst Fries
Set of four EPNS candle holders made in Australia in the 1960s by Ernst Fries. Fries was born in Germany in 1934, trained as a silversmith in Switzerland in the 1950s then immigrated to Australia in 1959; 10.5 cm tall.
EPNS Candle Holders by Ernst Fries: mark
Set of four EPNS candle holders made in Australia in the 1960s by Ernst Fries. Fries was born in Germany in 1934, trained as a silversmith in Switzerland in the 1950s then immigrated to Australia in 1959; 10.5 cm tall.
Wine Goblets by Don Shiel
Set of eight long stemmed wine goblets designed and handmade in 1976 by Don Sheil of Melbourne in an aluminium alloy which does not discolour with wine and other fluids / foods; 22.5 cm tall.
Wine Goblets by Don Shiel: mark
Set of eight long stemmed wine goblets designed and handmade in 1976 by Don Sheil of Melbourne in an aluminium alloy which does not discolour with wine and other fluids / foods; 22.5 cm tall.
Copper Jelly Mould: marking
C19th, English, copper jelly mould shaped as crenulated castle; original patina; 9.5 cm tall.
Alaric King of the Goths Bronze Statue
Alaric (probably) King of the Goths circa 370 - 410 AD.
This a C20th statue in verdigris patinated bronze (weighted) not signed nor marked. Alaric was the first king of the Visigoths then living in what is now north east Germany. He is known for his Sack of Rome in August 410.
This was the first time in almost 800 years that Rome had fallen to a foreign enemy. The Sack of Rome is a landmark event considered decisive in the fall of the Western Roman Empire. Alaric is identified by his beard; the helmet ornament which is the symbol of the Visigoth Eagle which distinctively looks upward with its wings pointed downward. The Romano-Gallic helmet without cheek flaps, chain mail shirt with leather outer belt and flaps, sandals and shin guards.
He is 75 cm tall and very heavy. He is missing the sword so is “as found”.
Alaric King of the Goths Bronze Statue
Alaric (probably) King of the Goths circa 370 - 410 AD.
This a C20th statue in verdigris patinated bronze (weighted) not signed nor marked. Alaric was the first king of the Visigoths then living in what is now north east Germany. He is known for his Sack of Rome in August 410.
This was the first time in almost 800 years that Rome had fallen to a foreign enemy. The Sack of Rome is a landmark event considered decisive in the fall of the Western Roman Empire. Alaric is identified by his beard; the helmet ornament which is the symbol of the Visigoth Eagle which distinctively looks upward with its wings pointed downward. The Romano-Gallic helmet without cheek flaps, chain mail shirt with leather outer belt and flaps, sandals and shin guards.
He is 75 cm tall and very heavy. He is missing the sword so is “as found”.
Australian Federation Era Hall Lantern: ceiling cap
The weathered, oxidised, metal frame holding various patterns of textured clear and green glass with purple glass to the top behind the applied flower shaped cut out mask. All four sides alike. The whole a square with shaped and profiled suspension. Original ceiling cap present. The rod which transported the power with threaded lower end providing no definite indication if it was originally gas or electric. Original patina.
55cm / 22” from ceiling cap to bottom; 25cm / 10” at the widest of the square frame.
Australian Federation Era Hall Lantern
The weathered, oxidised, metal frame holding various patterns of textured clear and green glass with purple glass to the top behind the applied flower shaped cut out mask. All four sides alike. The whole a square with shaped and profiled suspension. Original ceiling cap present. The rod which transported the power with threaded lower end providing no definite indication if it was originally gas or electric. Original patina.
55cm / 22” from ceiling cap to bottom; 25cm / 10” at the widest of the square frame.
Australian Federation Era Hall Lantern
The weathered, oxidised, metal frame holding various patterns of textured clear and green glass with purple glass to the top behind the applied flower shaped cut out mask. All four sides alike. The whole a square with shaped and profiled suspension. Original ceiling cap present. The rod which transported the power with threaded lower end providing no definite indication if it was originally gas or electric. Original patina.
55cm / 22” from ceiling cap to bottom; 25cm / 10” at the widest of the square frame.
English Pewter Tea Set: Pot
English Pewter 3 piece Tea Sey comprising tea pot, sugar bowl and milk jug. Marked English Pewter, 508, 3 where 508 is the model number and 3 the size. While not marked, the planished exterior surface and the untarnished state lead us to believe that these were made by James Deakin & Sons, Sheffield who used English Pewter which contains no lead and will not tarnish.
The Arts & Crafts style we would date to the late 1800s / early 1900s. J Deakin & Sons ceased operation in the early 1930s thus this would be before then but more likely pre WWI when this style and material was fashionable. After WWI through the 1920s and into the great depression fancy goods like these were not in demand.
English Pewter Tea Set
English Pewter 3 piece Tea Sey comprising tea pot, sugar bowl and milk jug. Marked English Pewter, 508, 3 where 508 is the model number and 3 the size. While not marked, the planished exterior surface and the untarnished state lead us to believe that these were made by James Deakin & Sons, Sheffield who used English Pewter which contains no lead and will not tarnish.
The Arts & Crafts style we would date to the late 1800s / early 1900s. J Deakin & Sons ceased operation in the early 1930s thus this would be before then but more likely pre WWI when this style and material was fashionable. After WWI through the 1920s and into the great depression fancy goods like these were not in demand.
English Pewter Tea Set: marking
English Pewter 3 piece Tea Sey comprising tea pot, sugar bowl and milk jug. Marked English Pewter, 508, 3 where 508 is the model number and 3 the size. While not marked, the planished exterior surface and the untarnished state lead us to believe that these were made by James Deakin & Sons, Sheffield who used English Pewter which contains no lead and will not tarnish.
The Arts & Crafts style we would date to the late 1800s / early 1900s. J Deakin & Sons ceased operation in the early 1930s thus this would be before then but more likely pre WWI when this style and material was fashionable. After WWI through the 1920s and into the great depression fancy goods like these were not in demand.
Opera Glasses by C W Dixey Opticians: open
A pair of opera / field glasses in their original leather case bearing the imprinted label for C W Dixey Opticians to the Queen 3 Bond Street London. The body is of the new metal of that time, polished Aluminium or, as it was known, “clay silver”.
Industrial production of the metal Aluminium from the ore Bauxite was first achieved by Henri-Etienne Sainte-Claire Deville in France in 1856. The produced metal resembled silver, it was light and expensive, hence at that time aluminium was considered an elite material intended for ornaments and luxury items.
The aluminium has an overlay of Tortoiseshell. Inlaid to one barrel with Silver wire is the name “Mary”. Unfortunately the Dixey archive could find no reference as to who “Mary” might have been. They could however tell us that the glasses would be pre 1860 as that was when “& Son” was added to the company name. In addition they confirmed C W Dixey was the personal optician to Queen Victoria.
These glasses are optically in excellent order. Objective lens 42 mm diameter. Ocular lens 15.5 mm diameter. Closed length 74.5 mm. Fully open length 96.5 mm. Case and body have minor, aged related, faults.
Opera Glasses by C W Dixey Opticians: makers name inside case
A pair of opera / field glasses in their original leather case bearing the imprinted label for C W Dixey Opticians to the Queen 3 Bond Street London. The body is of the new metal of that time, polished Aluminium or, as it was known, “clay silver”.
Industrial production of the metal Aluminium from the ore Bauxite was first achieved by Henri-Etienne Sainte-Claire Deville in France in 1856. The produced metal resembled silver, it was light and expensive, hence at that time aluminium was considered an elite material intended for ornaments and luxury items.
The aluminium has an overlay of Tortoiseshell. Inlaid to one barrel with Silver wire is the name “Mary”. Unfortunately the Dixey archive could find no reference as to who “Mary” might have been. They could however tell us that the glasses would be pre 1860 as that was when “& Son” was added to the company name. In addition they confirmed C W Dixey was the personal optician to Queen Victoria.
These glasses are optically in excellent order. Objective lens 42 mm diameter. Ocular lens 15.5 mm diameter. Closed length 74.5 mm. Fully open length 96.5 mm. Case and body have minor, aged related, faults.
Opera Glasses by C W Dixey Opticians: closed
A pair of opera / field glasses in their original leather case bearing the imprinted label for C W Dixey Opticians to the Queen 3 Bond Street London. The body is of the new metal of that time, polished Aluminium or, as it was known, “clay silver”.
Industrial production of the metal Aluminium from the ore Bauxite was first achieved by Henri-Etienne Sainte-Claire Deville in France in 1856. The produced metal resembled silver, it was light and expensive, hence at that time aluminium was considered an elite material intended for ornaments and luxury items.
The aluminium has an overlay of Tortoiseshell. Inlaid to one barrel with Silver wire is the name “Mary”. Unfortunately the Dixey archive could find no reference as to who “Mary” might have been. They could however tell us that the glasses would be pre 1860 as that was when “& Son” was added to the company name. In addition they confirmed C W Dixey was the personal optician to Queen Victoria.
These glasses are optically in excellent order. Objective lens 42 mm diameter. Ocular lens 15.5 mm diameter. Closed length 74.5 mm. Fully open length 96.5 mm. Case and body have minor, aged related, faults.
Coalbrookdale Cast Iron Umbrella Stand
Coalbrookdale Cast Iron Umbrella Stand in a 'Ferny' design.
The stand has a casting mark and registration lozenge dating it to circa 1870. Umpteen layers of chipped various colour paint professionally removed and powdered coated in British Racing (Heritage) Green.
Chinese Lacquer Ware Tea Set: marking
1930s, Chinese Lacquer Ware Tea Set by Ling Dia Mi Ware of Foochow. Many layers of lacquer are applied over textile (gauze) shapes then hand painted. Here the decoration is of Dragons chasing the flaming Pearl and Koi. This set consists of a lidded tea pot, lidded sugar bowl with tongs, milk jug, 6 x cups, saucers & tea spoons and associated wooden tray. Such sets were made specifically for export to the West.
Liberty & Co., Archibald Knox Tudric Pewter Cruet Set
Liberty & Co., Archibald Knox, tudric pewter 3 piece cruet set comprising pepperette, open salt & lidded mustard pot. Design #348 by Archibald Knox from the first decade of the C20th. Marked to base Tudric, 348, an Rd. number and a scratched inventory number 100. In original condition. Tallest piece 6.5cm.
Archibald Knox was born 1864, Cronkbourne, Isle of Man and died 1933, Douglas, Isle of Man. A prolific Manx designer of Scottish descent he was best known as the primary designer for Liberty’s at the height of their success. Knox used elements from the Arts and Crafts Movement, Celtic Revival, Art Nouveau and Modernism in his designs.
Liberty & Co., Archibald Knox Tudric Pewter Cruet Set: Salt
Liberty & Co., Archibald Knox, tudric pewter 3 piece cruet set comprising pepperette, open salt & lidded mustard pot. Design #348 by Archibald Knox from the first decade of the C20th. Marked to base Tudric, 348, an Rd. number and a scratched inventory number 100. In original condition. Tallest piece 6.5cm.
Archibald Knox was born 1864, Cronkbourne, Isle of Man and died 1933, Douglas, Isle of Man. A prolific Manx designer of Scottish descent he was best known as the primary designer for Liberty’s at the height of their success. Knox used elements from the Arts and Crafts Movement, Celtic Revival, Art Nouveau and Modernism in his designs.
Liberty & Co., Archibald Knox Tudric Pewter Cruet Set: Pepperette
Liberty & Co., Archibald Knox, tudric pewter 3 piece cruet set comprising pepperette, open salt & lidded mustard pot. Design #348 by Archibald Knox from the first decade of the C20th. Marked to base Tudric, 348, an Rd. number and a scratched inventory number 100. In original condition. Tallest piece 6.5cm.
Archibald Knox was born 1864, Cronkbourne, Isle of Man and died 1933, Douglas, Isle of Man. A prolific Manx designer of Scottish descent he was best known as the primary designer for Liberty’s at the height of their success. Knox used elements from the Arts and Crafts Movement, Celtic Revival, Art Nouveau and Modernism in his designs.
Liberty & Co., Archibald Knox Tudric Pewter Cruet Set: Mustard
Liberty & Co., Archibald Knox, tudric pewter 3 piece cruet set comprising pepperette, open salt & lidded mustard pot. Design #348 by Archibald Knox from the first decade of the C20th. Marked to base Tudric, 348, an Rd. number and a scratched inventory number 100. In original condition. Tallest piece 6.5cm.
Archibald Knox was born 1864, Cronkbourne, Isle of Man and died 1933, Douglas, Isle of Man. A prolific Manx designer of Scottish descent he was best known as the primary designer for Liberty’s at the height of their success. Knox used elements from the Arts and Crafts Movement, Celtic Revival, Art Nouveau and Modernism in his designs.
Liberty & Co., Archibald Knox Tudric Pewter Cruet Set: base marking
Liberty & Co., Archibald Knox, tudric pewter 3 piece cruet set comprising pepperette, open salt & lidded mustard pot. Design #348 by Archibald Knox from the first decade of the C20th. Marked to base Tudric, 348, an Rd. number and a scratched inventory number 100. In original condition. Tallest piece 6.5cm.
Archibald Knox was born 1864, Cronkbourne, Isle of Man and died 1933, Douglas, Isle of Man. A prolific Manx designer of Scottish descent he was best known as the primary designer for Liberty’s at the height of their success. Knox used elements from the Arts and Crafts Movement, Celtic Revival, Art Nouveau and Modernism in his designs.
Dressing or Vanity Case: marking
The outer cover of pigskin and the lining of taffeta with leather straps and brackets to hold the Art Deco design hallmarked sterling silver and crystal fittings which provide and hold the essentials for a lady when not at her own home. Marked for London 1946-47, maker T P unknown; externally 31.5 x 22 x 11.5 cm.
Dressing or Vanity Case: silver detail
The outer cover of pigskin and the lining of taffeta with leather straps and brackets to hold the Art Deco design hallmarked sterling silver and crystal fittings which provide and hold the essentials for a lady when not at her own home. Marked for London 1946-47, maker T P unknown; externally 31.5 x 22 x 11.5 cm.
Dressing or Vanity Case: bottom section
The outer cover of pigskin and the lining of taffeta with leather straps and brackets to hold the Art Deco design hallmarked sterling silver and crystal fittings which provide and hold the essentials for a lady when not at her own home. Marked for London 1946-47, maker T P unknown; externally 31.5 x 22 x 11.5 cm.
Dressing or Vanity Case: top section
The outer cover of pigskin and the lining of taffeta with leather straps and brackets to hold the Art Deco design hallmarked sterling silver and crystal fittings which provide and hold the essentials for a lady when not at her own home. Marked for London 1946-47, maker T P unknown; externally 31.5 x 22 x 11.5 cm.
Dressing or Vanity Case
The outer cover of pigskin and the lining of taffeta with leather straps and brackets to hold the Art Deco design hallmarked sterling silver and crystal fittings which provide and hold the essentials for a lady when not at her own home. Marked for London 1946-47, maker T P unknown; externally 31.5 x 22 x 11.5 cm.
German, 1950s, Brunsviga 13Z Mechanical Calculator
Pinwheel calculators were invented by Willgodt T. Odhner in St. Petersburg Russia in 1874. The firm Grimme, Natalis & Co of Braunschweig in Germany obtained the German manufacturing rights in 1892. The first machines were built according to W.T. Odhner's 1890 design, and were distributed under the brand name "Brunsviga".
This Model 13Z is from the 1950s and is very similar to the 1930s 13ZK as the pre WWII 13-series machines were re-styled for the 1950s with but a few changes to the mechanisms. The 13-series machines in 10 x 8 x 13 format formed the basis of the Brunsviga pinwheel range from the 1930s until the end of production in the 1970s.
This machine is serial number 294900. Digits: 10 rotor, 8 counter, 13 accumulator. Dimensions: body 150W x 220D x 165H, maximum width 290mm. Weight: 7.5 kg
German, 1950s, Brunsviga 13Z Mechanical Calculator: left hand side
Pinwheel calculators were invented by Willgodt T. Odhner in St. Petersburg Russia in 1874. The firm Grimme, Natalis & Co of Braunschweig in Germany obtained the German manufacturing rights in 1892. The first machines were built according to W.T. Odhner's 1890 design, and were distributed under the brand name "Brunsviga".
This Model 13Z is from the 1950s and is very similar to the 1930s 13ZK as the pre WWII 13-series machines were re-styled for the 1950s with but a few changes to the mechanisms. The 13-series machines in 10 x 8 x 13 format formed the basis of the Brunsviga pinwheel range from the 1930s until the end of production in the 1970s.
This machine is serial number 294900. Digits: 10 rotor, 8 counter, 13 accumulator. Dimensions: body 150W x 220D x 165H, maximum width 290mm. Weight: 7.5 kg
German, 1950s, Brunsviga 13Z Mechanical Calculator: serial number
Pinwheel calculators were invented by Willgodt T. Odhner in St. Petersburg Russia in 1874. The firm Grimme, Natalis & Co of Braunschweig in Germany obtained the German manufacturing rights in 1892. The first machines were built according to W.T. Odhner's 1890 design, and were distributed under the brand name "Brunsviga".
This Model 13Z is from the 1950s and is very similar to the 1930s 13ZK as the pre WWII 13-series machines were re-styled for the 1950s with but a few changes to the mechanisms. The 13-series machines in 10 x 8 x 13 format formed the basis of the Brunsviga pinwheel range from the 1930s until the end of production in the 1970s.
This machine is serial number 294900. Digits: 10 rotor, 8 counter, 13 accumulator. Dimensions: body 150W x 220D x 165H, maximum width 290mm. Weight: 7.5 kg
German, 1950s, Brunsviga 13Z Mechanical Calculator: name plate
Pinwheel calculators were invented by Willgodt T. Odhner in St. Petersburg Russia in 1874. The firm Grimme, Natalis & Co of Braunschweig in Germany obtained the German manufacturing rights in 1892. The first machines were built according to W.T. Odhner's 1890 design, and were distributed under the brand name "Brunsviga".
This Model 13Z is from the 1950s and is very similar to the 1930s 13ZK as the pre WWII 13-series machines were re-styled for the 1950s with but a few changes to the mechanisms. The 13-series machines in 10 x 8 x 13 format formed the basis of the Brunsviga pinwheel range from the 1930s until the end of production in the 1970s.
This machine is serial number 294900. Digits: 10 rotor, 8 counter, 13 accumulator. Dimensions: body 150W x 220D x 165H, maximum width 290mm. Weight: 7.5 kg
German, 1950s, Brunsviga 13Z Mechanical Calculator: right hand side
Pinwheel calculators were invented by Willgodt T. Odhner in St. Petersburg Russia in 1874. The firm Grimme, Natalis & Co of Braunschweig in Germany obtained the German manufacturing rights in 1892. The first machines were built according to W.T. Odhner's 1890 design, and were distributed under the brand name "Brunsviga".
This Model 13Z is from the 1950s and is very similar to the 1930s 13ZK as the pre WWII 13-series machines were re-styled for the 1950s with but a few changes to the mechanisms. The 13-series machines in 10 x 8 x 13 format formed the basis of the Brunsviga pinwheel range from the 1930s until the end of production in the 1970s.
This machine is serial number 294900. Digits: 10 rotor, 8 counter, 13 accumulator. Dimensions: body 150W x 220D x 165H, maximum width 290mm. Weight: 7.5 kg
German, 1950s, Brunsviga 13Z Mechanical Calculator: above
Pinwheel calculators were invented by Willgodt T. Odhner in St. Petersburg Russia in 1874. The firm Grimme, Natalis & Co of Braunschweig in Germany obtained the German manufacturing rights in 1892. The first machines were built according to W.T. Odhner's 1890 design, and were distributed under the brand name "Brunsviga".
This Model 13Z is from the 1950s and is very similar to the 1930s 13ZK as the pre WWII 13-series machines were re-styled for the 1950s with but a few changes to the mechanisms. The 13-series machines in 10 x 8 x 13 format formed the basis of the Brunsviga pinwheel range from the 1930s until the end of production in the 1970s.
This machine is serial number 294900. Digits: 10 rotor, 8 counter, 13 accumulator. Dimensions: body 150W x 220D x 165H, maximum width 290mm. Weight: 7.5 kg
The Royal Van Heurck Microscope: cabinet
The Royal Van Heurck Microscope by W Watson & Sons with monocular tube and continental base, c1897, probably C model.
1 x Leitz Wetzlar eyepiece,1 x unmarked 8x eyepiece, three W Watson & Sons lenses all in their original brass screw top containers marked W Watson & Sons.
1 x 1/12 inch oil 1mm lens, 1 x parachromatic 1/6 inch lens, 1 x parachromatic 1 inch lens.
Original Mahogany box with lock, key and leather carry handle.
W Watson was founded in London in 1837, in 1868 it became W Watson & Son, in 1883 it became W Watson & Sons, in 1908 it became W Watson & Sons Ltd thus this is microscope is post 1883 and before 1908.
The Royal Van Heurck Microscope: containers
The Royal Van Heurck Microscope by W Watson & Sons with monocular tube and continental base, c1897, probably C model.
1 x Leitz Wetzlar eyepiece,1 x unmarked 8x eyepiece, three W Watson & Sons lenses all in their original brass screw top containers marked W Watson & Sons.
1 x 1/12 inch oil 1mm lens, 1 x parachromatic 1/6 inch lens, 1 x parachromatic 1 inch lens.
Original Mahogany box with lock, key and leather carry handle.
W Watson was founded in London in 1837, in 1868 it became W Watson & Son, in 1883 it became W Watson & Sons, in 1908 it became W Watson & Sons Ltd thus this is microscope is post 1883 and before 1908.
The Royal Van Heurck Microscope: markings
The Royal Van Heurck Microscope by W Watson & Sons with monocular tube and continental base, c1897, probably C model.
1 x Leitz Wetzlar eyepiece,1 x unmarked 8x eyepiece, three W Watson & Sons lenses all in their original brass screw top containers marked W Watson & Sons.
1 x 1/12 inch oil 1mm lens, 1 x parachromatic 1/6 inch lens, 1 x parachromatic 1 inch lens.
Original Mahogany box with lock, key and leather carry handle.
W Watson was founded in London in 1837, in 1868 it became W Watson & Son, in 1883 it became W Watson & Sons, in 1908 it became W Watson & Sons Ltd thus this is microscope is post 1883 and before 1908.
The Royal Van Heurck Microscope
The Royal Van Heurck Microscope by W Watson & Sons with monocular tube and continental base, c1897, probably C model.
1 x Leitz Wetzlar eyepiece,1 x unmarked 8x eyepiece, three W Watson & Sons lenses all in their original brass screw top containers marked W Watson & Sons.
1 x 1/12 inch oil 1mm lens, 1 x parachromatic 1/6 inch lens, 1 x parachromatic 1 inch lens.
Original Mahogany box with lock, key and leather carry handle.
W Watson was founded in London in 1837, in 1868 it became W Watson & Son, in 1883 it became W Watson & Sons, in 1908 it became W Watson & Sons Ltd thus this is microscope is post 1883 and before 1908.
Bronzed Spelter Figural Oil Lamp
French Peasant in period dress of the second half of the C19th, Moissonneur or Harvester, a bronzed Spelter figural Oil Lamp with ribbed, blue glass font and #2 Queen Anne burner; 104 cm or 41 inches tall.
Cacti & Other Succulents reference by Edgar and Brian Lamb
A small selection of some of the more interesting and unusual books which have come our way recently.
Many are horticultural in focus but some are more eclectic.
We love books and we do not pretend to be a bookshop but some books we just cannot say “No” to.
Plants of the Gods by Richard Evans Schultis and Albert Hofmann
A small selection of some of the more interesting and unusual books which have come our way recently.
Many are horticultural in focus but some are more eclectic.
We love books and we do not pretend to be a bookshop but some books we just cannot say “No” to.
Dictionary of Occult, Hermetic and Alchemical Sigils by Fred Gettings
A small selection of some of the more interesting and unusual books which have come our way recently.
Many are horticultural in focus but some are more eclectic.
We love books and we do not pretend to be a bookshop but some books we just cannot say “No” to.
Botanical Books
A small selection of some of the more interesting and unusual books which have come our way recently.
Many are horticultural in focus but some are more eclectic.
We love books and we do not pretend to be a bookshop but some books we just cannot say “No” to.
Encyclopedia of Australian Plants by Elliot and Jones
A small selection of some of the more interesting and unusual books which have come our way recently.
Many are horticultural in focus but some are more eclectic.
We love books and we do not pretend to be a bookshop but some books we just cannot say “No” to.
Namibian Berber Style Carpet
Namibian Berber style carpet depicting local wildlife. Hand spun and hand woven using local wool as the warp on a cotton weft. Purchased “in country” late 1970s from ibenstein teppiche [carpets] in Dordabis in central Namibia. Circa 2.2 x 1.5m. The carpet is accompanied by a photograph of the weaver who created it.
Namibian Berber Style Carpet: detail 2
Namibian Berber style carpet depicting local wildlife. Hand spun and hand woven using local wool as the warp on a cotton weft. Purchased “in country” late 1970s from ibenstein teppiche [carpets] in Dordabis in central Namibia. Circa 2.2 x 1.5m. The carpet is accompanied by a photograph of the weaver who created it.
Namibian Berber Style Carpet: detail 1
Namibian Berber style carpet depicting local wildlife. Hand spun and hand woven using local wool as the warp on a cotton weft. Purchased “in country” late 1970s from ibenstein teppiche [carpets] in Dordabis in central Namibia. Circa 2.2 x 1.5m. The carpet is accompanied by a photograph of the weaver who created it.
Vintage Waterford Crystal Chandelier
Vintage Waterford Crystal 5 branch Chandelier with all drops etched “Waterford”. Electrical wiring in situ but should be checked and installed by a licenced tradesman.
Mutoscope: Wouldn’t I make a good Petty Officer
Mutoscope cards commonly feature drawings of “Cheesecake” or “Pin Up” Girls.
They were published on stiff card stock in America during the 1930s and 40s.
They were available from vending machines and became very popular with the troops during WWII.Size : 5.25″ × 3.25″.
These are a selection from our stock of over 100 Mutoscope cards.
Mutoscope: Short on Sails
Mutoscope cards commonly feature drawings of “Cheesecake” or “Pin Up” Girls.
They were published on stiff card stock in America during the 1930s and 40s.
They were available from vending machines and became very popular with the troops during WWII.Size : 5.25″ × 3.25″.
These are a selection from our stock of over 100 Mutoscope cards.
Mutoscope: Fisherman’s Luck
Mutoscope cards commonly feature drawings of “Cheesecake” or “Pin Up” Girls.
They were published on stiff card stock in America during the 1930s and 40s.
They were available from vending machines and became very popular with the troops during WWII.Size : 5.25″ × 3.25″.
These are a selection from our stock of over 100 Mutoscope cards.
Mutoscope: A Popular Number
Mutoscope cards commonly feature drawings of “Cheesecake” or “Pin Up” Girls.
They were published on stiff card stock in America during the 1930s and 40s.
They were available from vending machines and became very popular with the troops during WWII.Size : 5.25″ × 3.25″.
These are a selection from our stock of over 100 Mutoscope cards.
“Tudric” Pewter Lidded Tankard: top
“Tudric” Pewter Lidded Tankard which has characteristic Knox sinuous “whiplash” straps to lower extensions of the handle. The “S” form thumb piece to the lid appearing as a natural extension of the handle. The tankard was probably designed by Archibald Knox, (1864-1933) the primary designer for Liberty through the Arts & Crafts and into the Art Nouveau periods in the late C19th & early C20th.
The retailer Liberty of London was established in 1875 by Arthur Lasenby Liberty and is still trading in luxury goods in the West End.
Tudric was the “brand” name given by Liberty to its range of pewter goods in the early 1900s.
“Tudric” Pewter Lidded Tankard: stamp
“Tudric” Pewter Lidded Tankard which has characteristic Knox sinuous “whiplash” straps to lower extensions of the handle. The “S” form thumb piece to the lid appearing as a natural extension of the handle. The tankard was probably designed by Archibald Knox, (1864-1933) the primary designer for Liberty through the Arts & Crafts and into the Art Nouveau periods in the late C19th & early C20th.
The retailer Liberty of London was established in 1875 by Arthur Lasenby Liberty and is still trading in luxury goods in the West End.
Tudric was the “brand” name given by Liberty to its range of pewter goods in the early 1900s.
“Tudric” Pewter Lidded Tankard: side
“Tudric” Pewter Lidded Tankard which has characteristic Knox sinuous “whiplash” straps to lower extensions of the handle. The “S” form thumb piece to the lid appearing as a natural extension of the handle. The tankard was probably designed by Archibald Knox, (1864-1933) the primary designer for Liberty through the Arts & Crafts and into the Art Nouveau periods in the late C19th & early C20th.
The retailer Liberty of London was established in 1875 by Arthur Lasenby Liberty and is still trading in luxury goods in the West End.
Tudric was the “brand” name given by Liberty to its range of pewter goods in the early 1900s.
“Tudric” Pewter Lidded Tankard: rear
“Tudric” Pewter Lidded Tankard which has characteristic Knox sinuous “whiplash” straps to lower extensions of the handle. The “S” form thumb piece to the lid appearing as a natural extension of the handle. The tankard was probably designed by Archibald Knox, (1864-1933) the primary designer for Liberty through the Arts & Crafts and into the Art Nouveau periods in the late C19th & early C20th.
The retailer Liberty of London was established in 1875 by Arthur Lasenby Liberty and is still trading in luxury goods in the West End.
Tudric was the “brand” name given by Liberty to its range of pewter goods in the early 1900s.
Parian Ware Statuette 1
This C19th, Parian Ware statuette is an elegant contribution to the controversy which has raged ever since the English Naturalist and Geologist Charles Darwin published his work “On the Origin of Species” in 1859. Parian ware is a type of bisque porcelain imitating marble. It was developed around 1845 by the Staffordshire pottery manufacturer Minton; circa 15 cm tall.
Parian Ware Statuette 2
This C19th, Parian Ware statuette is an elegant contribution to the controversy which has raged ever since the English Naturalist and Geologist Charles Darwin published his work “On the Origin of Species” in 1859. Parian ware is a type of bisque porcelain imitating marble. It was developed around 1845 by the Staffordshire pottery manufacturer Minton; circa 15 cm tall.
Boomerang Miniature Grand Albert’s System Mouth Organ: detail
Made in 1930s by CA Seydel and Son of Klingenthal in Saxony, Germany.
The "Albert's System" is an advertisement device, named after the Boomerang's designer, Frank Albert (1874-1962), son of Jacques Albert (1840?-1914) ,the founder of Albert & Son Music, a retail musical instrument store in Sydney.
The boomerang was an iconic Australian instrument during the late nineteenth century and throughout much of the twentieth century. Being compact, portable, tuneful and cheap it immediately became popular with the Australian public upon its release onto the market in 1897. Still with original instruction sheet and in original box.
Boomerang Miniature Grand Albert’s System Mouth Organ: box
Made in 1930s by CA Seydel and Son of Klingenthal in Saxony, Germany.
The "Albert's System" is an advertisement device, named after the Boomerang's designer, Frank Albert (1874-1962), son of Jacques Albert (1840?-1914) ,the founder of Albert & Son Music, a retail musical instrument store in Sydney.
The boomerang was an iconic Australian instrument during the late nineteenth century and throughout much of the twentieth century. Being compact, portable, tuneful and cheap it immediately became popular with the Australian public upon its release onto the market in 1897. Still with original instruction sheet and in original box.
Boomerang Miniature Grand Albert’s System Mouth Organ
Made in 1930s by CA Seydel and Son of Klingenthal in Saxony, Germany.
The "Albert's System" is an advertisement device, named after the Boomerang's designer, Frank Albert (1874-1962), son of Jacques Albert (1840?-1914) ,the founder of Albert & Son Music, a retail musical instrument store in Sydney.
The boomerang was an iconic Australian instrument during the late nineteenth century and throughout much of the twentieth century. Being compact, portable, tuneful and cheap it immediately became popular with the Australian public upon its release onto the market in 1897. Still with original instruction sheet and in original box.
Cast Iron Garden Urns base detail 1
A pair of late C19th, probably French, cast iron garden urns; original patina with hints of green and grey paint; 18 cm square plinth base, 32 cm high, 42 cm diameter.
Cast Iron Garden Urns base detail 2
A pair of late C19th, probably French, cast iron garden urns; original patina with hints of green and grey paint; 18 cm square plinth base, 32 cm high, 42 cm diameter.
Cast Iron Garden Urns rim detail
A pair of late C19th, probably French, cast iron garden urns; original patina with hints of green and grey paint; 18 cm square plinth base, 32 cm high, 42 cm diameter.
Cast Iron Garden Urns
A pair of late C19th, probably French, cast iron garden urns; original patina with hints of green and grey paint; 18 cm square plinth base, 32 cm high, 42 cm diameter.
Boston Style Rocking Chair
Circa 1850 / 1860, “Boston style” ebonised rocking chair, the long back spindles harking back to Windsor chair origins; caned insert in characteristic, fully shaped “S” scroll seat; typical short front skids and fastening to the four legs; the top rail stencilled with Eastern European scenes contained by stylised leaves & floral motifs; the sweeping and shaped arms left “au natural”. In excellent condition. Scarce in Australia and not plentiful in the USA.
Boston Style Rocking Chair: detail
Circa 1850 / 1860, “Boston style” ebonised rocking chair, the long back spindles harking back to Windsor chair origins; caned insert in characteristic, fully shaped “S” scroll seat; typical short front skids and fastening to the four legs; the top rail stencilled with Eastern European scenes contained by stylised leaves & floral motifs; the sweeping and shaped arms left “au natural”. In excellent condition. Scarce in Australia and not plentiful in the USA.
Olivetti Valentine S Typewriter open
Iconic late 1960s design by Ettore Sottsass & Perry King. The Valentine was available in white, green and blue, but its most famous form was red: lipstick-bright ABS plastic casing, with black plastic keys and white lettering. Complete and in “as found” condition.
Olivetti Valentine S Typewriter closed
Iconic late 1960s design by Ettore Sottsass & Perry King. The Valentine was available in white, green and blue, but its most famous form was red: lipstick-bright ABS plastic casing, with black plastic keys and white lettering. Complete and in “as found” condition.
The Glow Heater
Early C20th, Australian made, electric radiator “The Glow Heater”, patented Feb 29 1916, No 411/16, manufactured by J Marriott of 88-90 Lit. Collins Street Melbourne; item no 62866; copper and brass Federation style housing; “silver” metal reflective hemisphere, ceramic insulator cone; the wire element powered by a 3.5 Amp 240 Volt current thru the cloth covered power cord and Bakelite wall plug. All original condition.
Lighthouse Table Lamp
Circa 1930’s, on naturalistically modelled rocky shore base with roped steps leading to a lifeboat. Possibly made in Sydney; painted composite stone; 57cm tall.
Butterscotch Lucite Handbag Frame 3
Circa 1950s Butterscotch Lucite handbag frame with chain handle, impressed MARDOR.
Butterscotch Lucite Handbag Frame 2
Circa 1950s Butterscotch Lucite handbag frame with chain handle, impressed MARDOR.
Butterscotch Lucite Handbag Frame 1
Circa 1950s Butterscotch Lucite handbag frame with chain handle, impressed MARDOR.
Souvenir from Egypt
1915 Cairo “from Henry to Mother October 5th”. Henry was Henry Wiston McLean, service number 1106, rank Private; 2nd Light Horse Regiment, 1-10 reinforcements; embarked HMAT Shropshire A9; hand stitched on silk; obtained from descendants 2010.